![]() Proof of COVID-19 vaccination and masks are required to enter Merkin Hall.Adaptive_ocr true Addeddate 10:38:06 Betterpdf true Bookreader-defaults mode/1up Boxid IA1142119 ![]() View our current COVID-19 health and safety protocols. The sonata’s unpredictability, structural freedom and wide-ranging drama led Robert Schumann to claim it was too formless to even be called a sonata, but rather simply Chopin’s attempt to bind together four of his “most reckless children.” Was Schumann right, or was Chopin simply reinventing what a sonata could be in a way that Schumann was unable to grasp?įirst prize winner of the 2010 Naumburg International Piano Competition and the 2004 Concert Artists Guild International Competition, Korean-American pianist Soyeon Kate Lee has been lauded by The New York Times as a pianist with “a huge, richly varied sound, a lively imagination and a firm sense of style,” and by the Washington Post for her “stunning command of the keyboard.” Yet it leads to one of the most enigmatic finales ever written – a movement so strange that even today, it can sound like contemporary music. Written two years before the rest of the sonata, it is the emotional and structural heart of the entire work. It’s hard to imagine a movement of classical music more famous than the Funeral March of Chopin’s B-flat minor sonata, one of the most iconic and beloved piano sonatas ever written. ![]() Watch Rob Kapilow introduce the new season. With host Rob Kapilow & Soyeon Kate Lee, piano
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